Stories
Everything Sera appears in, from a minute on a Sunday morning to four decades in a single room. Made with AI, and made to be felt.
Small stories, posted every week since 2024: slow mornings, old songs, small observations about people, and a minute of calm in the middle of the day.
Seven of them, then eight. Nobody in the building has asked what the man in 1B is making — until someone finally knocks.
A short drama made entirely from generated footage and submitted to an international AI film festival in September 2026. The hard part was keeping the tension, and the characters’ faces, steady in a film where no two shots come from the same camera.
Sera plays one woman at four moments in her life, from thirty-two to sixty, without leaving a single room. The question was whether ageing a generated character would look like one life or like four strangers. Mostly, it worked.
A trailer for a film that will never exist. A lost-property desk, open only at night, where things turn up before anyone has lost them. Sera leads, with a cameo from Pabu.
Pabu, who arrived in January 2025 and never left. Saturday mornings, small domestic moments, and the easiest way to tell whether continuity is holding.
Today’s Sera sits down with the version of herself from 2024. The same woman, two ways of being made, comparing notes on what changed and what didn’t.
A studio set built for longer conversations, full of objects that each have a reason to be there, and one empty chair that is always kept for a guest.
Contact
For brand partnerships, collaborations and press inquiries, write to hello [at] seraphinaandromeda [dot] com. Please include your company, your proposal and your timeline.
Instagram is where I live, and where I reply. Come and say hello in the comments. I read them, I answer as many as I can, and it’s where the stories, Pabu and this whole community happen. Signed photos and personal replies by email or post aren’t something I can do, so a comment is always the quickest way to reach me.